classical dressage

Bettina Drummond was a long-time student of Classical Master Nuno Oliveira

Taking a Closer Look at Nuno Oliveira with Bettina Drummond

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Question: Do you know what Mr. Oliveira was seeking?

Answer: I think like all artists, an expression of self that isn’t selfish. I think because he stopped verbalizing it to himself, stopped being honest with himself, he lost the thread. He lost where he was going. But he never lost the desire to share with someone, which I find extraordinary in such a egocentric human being. He desperately wanted an audience. He wanted a private audience towards the end of his life. He wanted a really good horse and private students that would admire him. He never stopped riding, even when his body was giving out. Unfortunately, he could never become a coach. The only place to go when your body gives out is to be the teacher, the supportive coach. Why I thought he could do that for me when he couldn’t do it for his own son, I don’t know. But I had thought that it was going to evolve. I had to pick myself up when it didn’t happen.

Nuno Oliveira, a Classical Dressage Master, riding Piaffe.
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The Difference Between Classical and Competitive Dressage

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Once upon a time ago, the difference between Classical and Competitive Dressage seemed synonymous with the distance between the walls of the Grand Canyon (which happens to be up to 18 miles wide!). Whether it is merely my perception, or the reality, which has changed I have yet to determine. Nonetheless there is still a measure of awe inspired in people when they hear that “so and so” does Classical Dressage. It has a note of magic attached to it, even if it is a tradition based on a bunch of dead guys; or maybe it is because of those dead guys.